(Source: folkwaltz)

sickhypnotik:

his wife said she’d divorce him if he killed Arya

(Source: katzbeverly)

Favorite FilmsDistrict 9 (2009)

When dealing with aliens, try to be polite, but firm. And always remember that a smile is cheaper than a bullet.

newartemis:

The sad part is not only is this completely true, but domestic violence still rose by 26% even when the team won.

La violencia doméstica aumenta un 38% cuando Inglaterra pierde un partido.
Aumenta un 26% cuando gana.

(Source: ieatemokids)

(Source: elchistedemel)

Happy Friday the 13th!

Members of the anti-superstition party walking underneath a ladder.Chicago, IL, 1940 

ilovecharts:

Ideas

via David T. Jones

instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling. instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling. instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling. instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling. instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling. instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the  #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of  tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.

instagram:

Going Back to the Roots with Henrique Oliveira’s Transarquitetônica

To see more photos and videos from Transarquitetônica, explore the MAC USP location page and browse the #henriqueoliveira hashtag.

Brazilian artist Henrique Oliveira invites spectators to step inside his latest artwork and explore a giant wooden maze at São Paulo Museum MAC. His largest installation to date, Transarquitetônica is a 70 meter (229.66 ft) interactive sculpture made of tapumes, a plywood material traditionally used for cheap housing in Brazil. As the piece’s name suggests, Oliveira’s work speaks to the concept of time and evolution. Spectators discover spaces of contrast, as certain areas reference today’s modern architecture while sprawling branches symbolize man’s first dwelling.